A featured work in the Spring 2025 issue of Hammer & Hope, Moonlight: Respite of the Black Madonnas accompanies a powerful dialogue between Rhiana Gunn-Wright and Olúfẹ́mi O. Táíwò on building a more human-centered climate movement. This collage from my Moonlight series envisions Black women at rest, held by nature rather than burdened by it.

Last fall, I was honored to create a large-scale collage for Sugar Made Us Free? Diabetes and the Afterlife of Slavery in Barbados: Art, Archive & the Gendered Dimensions of Risk, an interdisciplinary project led by Drs. Tonya Haynes (UWI) and Nicole Charles (University of Toronto Mississauga).

I debut two new bodies of collage work in 6 for a 9, a co-exhibition with Ronald Williams at Morningside Gallery in Barbados. The show reflects a rich creative exchange through silhouette, scale, sound, and abstraction.

I collaborated with Enclothed Cognition to create a limited-edition kimono for the 2018/19 season, blending collage, fashion, and design into a sculptural garment now touring design museums across the Netherlands.

I delve behind the scenes of The Guard, a 2017 endurance performance created with artist Nyugen E. Smith at the Barbados Museum. Together, we examine power, presence, and visibility inside colonial-era gallery spaces.